De Gauche Á Droit

Posted by Adam on 10/11/2011

From artist Marcus Raetz. Translated title: “From left to right”

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Simon Ingram’s self-painting machines

Posted by Brendan on 10/07/2011

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CATEGORIES: artwork, sculpture, tech
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Roger Beebe

Posted by Brendan on 10/04/2011

//////////Roger’s website\\\\\\\\\\

//////////CHECK THIS PIECE OUT TOMORROW AT MASSART\\\\\\\\\\


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Tattooing Stop Motion

Posted by Adam on 10/04/2011

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CATEGORIES: animation, artwork
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Theo Jansen’s Strandbeest

Posted by Brendan on 10/03/2011

////////STRANDBEEST.com\\\\\\\\


Self-propelling beach animals like Animaris Percipiere have a stomach . This consists of recycled plastic bottles containing air that can be pumped up to a high pressure by the wind. This is done using a variety of bicycle pump, needless to say of plastic tubing. Several of these little pumps are driven by wings up at the front of the animal that flap in the breeze. It takes a few hours, but then the bottles are full. They contain a supply of potential wind. Take off the cap and the wind will emerge from the bottle at high speed. The trick is to get that untamed wind under control and use it to move the animal. For this, muscles are required. Beach animals have pushing muscles which get longer when told to do so. These consist of a tube containing another that is able to move in and out. There is a rubber ring on the end of the inner tube so that this acts as a piston. When the air runs from the bottles through a small pipe in the tube it pushes the piston outwards and the muscle lengthens. The beach animal’s muscle can best be likened to a bone that gets longer. Muscles can open taps to activate other muscles that open other taps, and so on. This creates control centres that can be compared to brains.

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Sabrina Ratté – Two Videos

Posted by Brendan on 09/28/2011

//////////http://cinepoeme.blogspot.com\\\\\\\\\\


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Martin Arnold – “Pièce touchée” & “Alone. Life Wastes Andy Hardy”

Posted by Brendan on 09/27/2011


“The cinema of Hollywood is a cinema of exclusion, reduction and denial, a cinema of repression. There is always something behind that which is being represented, which was not represented. And it is exactly that that is most interesting to consider.”
– Martin Arnold

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CATEGORIES: artwork, video art
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